The hit lands. The bill scales first.
Production, MAM, OTT, ad-tech, rights — every workflow on a licence priced per asset or per impression. We replace the contracts that bill on every minute of content you ship.
Media and entertainment live on attention and rights — and on a SaaS stack priced per asset, per stream, per ad impression. Avid and Adobe for production, MAM/DAM platforms for assets, Brightcove or JW Player for OTT, Google Ad Manager and a stack of SSPs/DSPs for monetisation, rights and royalties on top. Each workflow scales with output. We rebuild the load-bearing pieces as software you own — your asset library, your OTT layer, your ad-tech stack, your audience data.
Four contracts every media CIO has signed.
MAM / DAM lock-in
Asset libraries live in vendor schema. Metadata, versioning and rights metadata aren't portable; switching MAM is a multi-year migration of every asset ever produced.
OTT per-stream economics
Encoding, CDN, DRM and player vendor stacks scale with concurrent streams. Hit drama means a bigger SaaS bill before it means a bigger subscriber base.
Ad-tech opacity
DSP, SSP, DMP — every vendor in the chain takes a cut. Margin and audience signal flow to platforms you do not own.
Rights & royalties fragmentation
Rights tracking, royalty calculation, distribution accounting — separate platforms per content type. Audit cycles become quarterly reconciliation projects.
Six workflows we replace per title.
First-party ad-tech
Audience modelling, segment building, direct-sold pipeline — agents that read your viewing data and write back when sales approves. Reduces SSP and DSP dependency.
Rights & royalties ledger
Title, territory, window, royalty rate, payee — one ledger across content types. Quarterly royalty runs become continuous accounting.
Owned MAM layer
Asset ingest, metadata, versioning, rights — rebuilt on your data, on your schema. Avid, Adobe, vendor MAM become tools that read and write; the source of truth is yours.
Production-workflow agent
Pitch, greenlight, production tracking, post — orchestrated as one workflow your producers control. Replaces a stack of vendor project tools and spreadsheets.
OTT delivery layer
Player, DRM, ad-stitch, recommendation — on infrastructure you operate. Streaming economics priced against your CDN choices, not a vendor's pricing tier.
Audience BI
Streaming, advertising, social, app — every audience signal aggregated against the title. No vendor analytics module licensed per stream.
How saasinator brings AI to media & entertainment.
Assess
Map every AI opportunity across production, MAM, OTT delivery, ad-tech and rights. Score by per-asset cost, audience-data ownership and margin recovery.
Deliver
AI-native workflows replace the manual loops your producers, asset managers and ad-ops teams run. Two-week pilot per workflow on your assets and your audience data.
Operate
Governed agentic systems in production. Every model call logged on your infrastructure. Glass Factory by default; rights and audit committees self-serve.
Every part of the media business.
Broadcast & cable
Linear broadcasters, cable networks and public broadcasters running scheduled programming alongside on-demand.
Streaming & OTT
SVOD, AVOD and FAST operators with the full encode-deliver-monetise stack.
Publishing & news
Print and digital publishers, news operations, magazine groups running CMS plus subscription and ad revenue.
Gaming & interactive
Game studios, publishers and live-ops operators running player accounts, telemetry and monetisation.
Music & audio
Labels, podcast networks, audio streamers operating against rights catalogues and listener data.
Production & studios
Film and TV studios, animation houses, post-production operators running pipeline software at scale.
Capabilities that show up most in this sector.
The maths behind every media engagement.
Latest on Media & Entertainment.
Pick the asset library you'd own first.
Bring one MAM, OTT, ad-tech or rights contract. Ten working days. We tell you what owning it would actually cost.